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Invented pasts, imagined futures: world's fairs, cities, and narratives of Brazilian nationhood in the built environment, 1893-1976

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dc.contributor.authorDe Souza Avelar, Lucas, author
dc.contributor.authorPayne, Sarah, advisor
dc.contributor.authorOrsi, Jared, advisor
dc.contributor.authorThomas, Adam, committee member
dc.contributor.authorTulanowski, Elizabeth, committee member
dc.date.accessioned2022-08-29T10:16:24Z
dc.date.available2024-08-22T10:16:24Z
dc.date.issued2022
dc.description.abstractIn 1976, a deafening historical silence emerged from an empty square in Rio de Janeiro, Brazil, after the former building of the senate ceased to exist. With the authoritarianism of the military dictatorship and the increasing industrial and urban development since the 1950s, the Monroe Palace, one of the early twentieth-century architectural gems of the city, suffered a gradual but violent loss of meaning. When the federal district moved from Rio de Janeiro to the utopic and modern Brasilia, in 1960, an intense debate around the future of the palace arose among intellectuals, architects, and statecraft agents. The palace, however, had a long history before its downfall, and its destruction in 1976 was just one piece of a broader, more abstract process of change over time. In the ideological dimension, specific ideas of Brasilidade – or Brazilian nationhood and cultural identity -- traveled through space and time and manifested in the physical world through world's fair pavilions in Chicago (1893), Saint Louis (1904), New York (1939), Brussels (1958), as well as in the Monroe Palace in Rio (1906-1976). These different ideas of Brasilidade referred to multiple meanings and ideologies of nationhood, modernity, modernization, tradition, past, and future that were attributed to those physical constructions. As my research demonstrates, the mutilations in the Monroe Palace and the trajectory of different Brazilian pavilions in world's fairs served as case studies to understand the maturation of Brazil's ideologies of nationhood in the twentieth century.
dc.format.mediumborn digital
dc.format.mediummasters theses
dc.identifierDeSouzaAvelar_colostate_0053N_17407.pdf
dc.identifier.urihttps://hdl.handle.net/10217/235654
dc.languageEnglish
dc.language.isoeng
dc.publisherColorado State University. Libraries
dc.relation.ispartof2020-
dc.rightsCopyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.
dc.rights.accessEmbargo Expires: 08/22/2024
dc.subjectbuilt environment
dc.subjectmodernity
dc.subjectworld's fairs
dc.subjectmaterial culture
dc.subjectBrazil
dc.subjectnational identity
dc.titleInvented pasts, imagined futures: world's fairs, cities, and narratives of Brazilian nationhood in the built environment, 1893-1976
dc.typeText
dcterms.embargo.expires2024-08-22
dcterms.embargo.terms2024-08-22
dcterms.rights.dplaThis Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
thesis.degree.disciplineHistory
thesis.degree.grantorColorado State University
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts (M.A.)

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