Theses and Dissertations

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Open Access
Intervening with laughter: using laughter/humor to create positive experiences in dementia relationships
(Colorado State University. Libraries, 2024) Matter, Michelle M., author; Faw, Meara H., advisor; Knobloch, Katherine R., committee member; Long, Ziyu, committee member; Lucas-Thompson, Rachel G., committee member
Humor and laughter have various positive outcomes on people's health and relationships both within healthcare settings and in daily life. In particular, humor and laughter can be beneficial for individuals impacted by dementia. This dissertation project was an engaged, mixed methodological intervention in which a program containing humor activities was created for people with dementia and their care partners to determine whether actively engaging with humor and laughter would be associated with positive outcomes for participants' well-being, observed behaviors, and relationships. Data collection methods included real-time observations as well as pre- and post-test surveys. Results indicated that participants were able and willing to participate in the program, that they engaged in various relational maintenance strategies during the program, and that the program was enjoyable and effective at creating positive personal and interpersonal outcomes for participating dyads. This project contributes to the scholarly community by investigating the usefulness of a noninvasive intervention within an understudied dyadic and aging population while demonstrating the powerful outcomes that can result from engaged scholarship and community collaborations. Additionally, this work offers the community partner a "plug-and-play" program that can be repeated in the future and provided participants with valuable and enjoyable experiences.
Open Access
DC unmade: failure, fandom and the Justice League films that could have been
(Colorado State University. Libraries, 2024) Greene, Ryan, author; Diffrient, David Scott, advisor; Martey, Rosa, committee member; Burgchardt, Carl, committee member; Elkins, Evan, committee member
Unmade films have received little attention as a general category, and this is doubly so for unmade superhero genre projects. The fact that these unfilms are failures in otherwise vibrant action franchises has typically led to their elision from canonical narratives. In studying two of the many defunct superhero films in Warner Brothers's DC catalog, it is possible to compare the failures of each in order to discern the industrial and narrative practices that contributed to their collapse. I apply scholarship on failure and comic book film adaptation to the case of George Miller's Justice League: Mortal. I trace the director's grand vision of a franchise juggernaut that was ultimately cancelled due to a confluence of bureaucratic interference and backlash against the promise of unlimited, speculative success. I then turn attention toward WB's second attempt to create a superhero ensemble film, Zack Snyder and Joss Whedon's Justice League (2017). From the ashes of the film's financial under-performance and critical failure rose a dogged fan movement to release an unknown and totally different director's cut. To understand this fan community and its impact on unproduction, I evaluate the Snyder Cut movement's defense of Zack Snyder's unmade DC Extended Universe, their battle against Warner Brothers and their refusal to accept failure. Taken together, these two unproductions demonstrate two divergent visions of failure. One lacked fan backing and so rests inert, its pieces scattered across the internet. The other rose from the unfinished realm of shadow cinema, lifted up by fans who vilified its producer while demanding that executives pay for its release.
Open Access
Reinforcing hegemonic structures: remediating and stymieing memories of Native Americans at Euro-American historic sites in the American West
(Colorado State University. Libraries, 2024) Stocker, Esther, author; Dunn, Thomas, advisor; Dickinson, Greg, committee member; Martinez, Doreen, committee member
This thesis examines the Crazy Horse Memorial and the Little Bighorn Battlefield National Monument to better understand how both places of public memory articulate Native American identities. Drawing on scholarship in public memory, the materiality of rhetoric, and Native American rhetorics, this analysis shows in part how both sites strive to remediate public memories related to Native Americans in the broader U.S. culture. However, the chapters also show that these efforts at Crazy Horse and Little Bighorn are simultaneously stymied from within and without through intentional and unintentional means. As the chapters reveal, the stymying components of each memorial presents a specific articulation of Native identity with the Crazy Horse Memorial presenting Native identities as ownable and the Little Bighorn Battlefield National Monument presenting Native identities as existing in the past, respectively. Putting both presentations into conversations suggests that there is a broader cultural articulation of Native identity as controllable in these U.S.-American memory sites. Such a rhetoric perpetuates prioritizing Euro-American values, stories, and identities within the U.S.
Open Access
Communicating the COVID-19 pandemic: a case study of a K-12 school district website and Twitter account
(Colorado State University. Libraries, 2024) Jones, Olivia E., author; Knobloch, Katie, advisor; Williams, Elizabeth, committee member; Bradbury, Kelly, committee member
The COVID-19 pandemic was not a linear crisis, and this thesis seeks to explore the potential for liminal spaces throughout crisis cycles by analyzing a public K-12 school district's communication of the COVID-19 pandemic across their website and Twitter account. Using thematic iterative analysis, this research specifically explores the moments when the school district was still in crisis but also attempting to return to a state of normalcy. The analysis and findings yield practical recommendations for organizations that must balance stakeholder tensions, especially during repetitive crises.
Open Access
Death becomes us: constituting death and imagining wellbeing through global youth environmental activist discourses
(Colorado State University. Libraries, 2024) Amedée, Emily, author; Vasby Anderson, Karrin, advisor; Hughes, Kit, committee member; Dickinson, Greg, committee member; Schneider, Lindsey, committee member
In this study, I analyzed death as a rhetorical strategy and emphasized the speaking power of youth environmental activists and their unique contributions to public discourses. I argued that the stories we tell about death constitute particular identities, ways of living/life chances, and ways of imagining the world. I explored the persuasive power of death in and of itself—death as rhetoric—and how rhetoric constitutes death, even as death functions to elide and enable the very discourses that call it into being. I narrowed my focus by consciously "placing" death on the edges of environmental issues and highlighting the ways discourse about the natural world constructs ecological realities and gives shape to environmental ideologies and human/environmental interaction. To enlarge the existing rhetorical criticisms of youth voice, I featured the discourses of three individuals: Greta Thunberg, Autumn Peltier, and Isra Hirsi. Each orator's intercultural and international contexts ensure that the relationships and experiences each girl has with their environmental context are diverse and span a variety of ecological and intersecting social issues. My study suggests that when youths employ the persuasive power of death, they do one or more of the following: (1) Constitute a space of inbetweenness and a process of becoming; (2) Harness the rhetorical significance of the material, spatial, and temporal aspects of everyday life; (3) Highlight the consequences of placelessness, disconnection, and detachment; (4) Call forth a politics of relation centered in an ethic of responsibility, intersectionality, and shared accountability; and (5) Imagine more just, sustainable, and flourishing futures for all our relations. Considering the rhetoric of this diverse set of young women rhetors, I synthesized the significant findings and key implications of my analyses to suggest a rhetorical theory of eudaimortia, which reveals the persuasive power of death to challenge and reconstitute how to live, how to become, and how to make, move, and imagine bodies, worlds, and time.
Open Access
Managing occupational stigma in abortion care work
(Colorado State University. Libraries, 2024) Lee-Simpson, Becca, author; Faw, Meara, advisor; Long, Ziyu, committee member; Kelp, Nicole, committee member
This study explores how United States health professionals who work in abortion care experience occupational stigma and enact stigma management communication (SMC; Meisenbach, 2010) in the wake of the repeal of Roe v. Wade. Through interviews with 24 current and former abortion workers, the results indicate that health providers experience stigma through stigmatizing messages, stress compounded by stigma, and socioemotional impacts. Workers manage stigma using a blend of SMC strategies including accepting, avoiding, transcending, and challenging. Further, the study uses intersectional analysis to identify seven factors that influence how workers manage stigma as it intersects with their social identities and context: state laws, service delivery, organizational culture, community attitudes, regional identity, privileged/marginalized identities, and reproductive experiences. The study concludes with discussion of theoretical contributions to the SMC model and practical recommendations for healthcare organizations providing abortion.
Open Access
"There is no normal": how Ms. Marvel constitutes U.S. American citizenship between comics and screen
(Colorado State University. Libraries, 2024) Bowar, Kyra, author; Anderson, Karrin, advisor; Marx, Nick, committee member; Martey, Rosa, committee member
In 2014, a new superhero crashed into the Marvel Comics universe; Kamala Khan, a Muslim Pakistani American superheroine, took on the heroic mantle of "Ms. Marvel." Then, in 2022, Kamala's story was adapted to the screen as a part of Disney's Marvel Cinematic Universe. Ms. Marvel's story is one of intersections, tensions, and navigating identity in a contemporary, multicultural America. To understand how Marvel and Disney constitute U.S. American citizenship and identity, this thesis compares two versions of Kamala Khan's superhero origin story: the Marvel comic, Ms. Marvel: No Normal (2014), and its streaming television show adaptation on Disney+, Ms. Marvel (2022), produced by Disney's Marvel Studios. Pairing rhetorical criticism with media industry analysis, I argue that, through their adaptation of Ms. Marvel to the screen, Disney widens the borders around U.S. American sociocultural belonging enough to incorporate intersectionally marginalized identities without fully displacing hegemonic understandings of U.S. American citizenship. This thesis demonstrates the utility of multi-methodological critical analysis and expands the theory of constitutive rhetoric by demonstrating how one text can interpellate audience members differently. My analysis also illustrates the continued relevance of superhero media as exemplars of identity formation in contemporary culture.
Open Access
Beautiful transgressions: subversion and visibility in YouTube's beauty community
(Colorado State University. Libraries, 2023) Marshall-McKelvey, Kira, author; Elkins, Evan, advisor; Hughes, Kit, committee member; Anderson, Karrin, committee member; Arthur, Tori, committee member
YouTube influencers must navigate the platform's capricious algorithm in order to achieve and maintain visibility online. The attention economy necessitates visibility labor for YouTubers to succeed in digital content creation. In particular, YouTubers must consider advertiser guidelines so that their content gets monetized (and subsequently rendered more visible). Content on YouTube that achieves high visibility tends to reinforce hegemonic logics of self-branding and gender. The beauty community, which produces feminized cultural outputs, is a highly commercial space on YouTube that rewards capitalist-affirming logics of gender and women's empowerment. Working in conversation with scholarship that explores the resistive possibilities of "LeftTube" (leftist YouTube), I highlight subversive tactics that women beauty gurus use without sacrificing their visibility online. Threading in discourse of play and fun, I argue that women beauty gurus can subvert postfeminist, neoliberal norms that discipline and confine gender performance. I first identify the normative genre conventions of the contemporary YouTube beauty community. Then I argue that RawBeautyKristi challenges norms of new momism and the "always on" digital entrepreneur by performing negative affect as a symptom of alienation, decentering western and masculine temporal structures, and complicating aesthetic labor in relation to neoliberal motherhood. Next, I argue that Nappyheadedjojoba performs platform-specific-intimacy to activate an ostensibly apolitical audience. Specifically, on YouTube, her incongruous references to makeup relieve tension, she utilizes beauty-specific terminology to familiarize her politics, she engages respectability politics, and she incorporates self-promotion as relational labor. On Patreon, she positions audience support as promoting creative liberty, she employs self-disclosure in relation to her politics, and she engages ratchetry as resistance. These strategies cultivate a sort of political authenticity. Lastly, Jenna Marbles's playful performance of failure to be part of YouTube's beauty community lluminates the inaccessibility of a seemingly open, democratizing space. By positioning herself as a YouTube viewer who unsuccessfully attempts tutorials, framing excess in contrast to the quest for natural beauty, exaggerating her status as an aging 32-33 year old lady, and flouting YouTube's self-branding conventions, Mourey reveals an attention economy in the beauty community that privileges postfeminist norms of age, beauty, and femininity. Ultimately, my dissertation aims to provide those in precarious positions with tactics to challenge dominant structures in ways that are invisible to those in power.
Open Access
Black like it never left: Black women and representation in contemporary broadcast television
(Colorado State University. Libraries, 2023) Taylor, Kirstin, author; Marx, Nick, advisor; Chung, Hye Seung, committee member; Arthur, Tori, committee member
It is imperative that we recognize that broadcast television is not dead, despite echoing declarations to the contrary, and that it can be a viable platform for presenting Black-led programs telling complex stories. In this project, I argue that current broadcast television shows are harnessing their industrial position and staple generic conventions to reorient depictions of Blackness on broadcast to more complexly and resonantly reflect lived Black experiences. It seems that these stories are being told not just on niche or fringe platforms catering to Black audiences, but also on long established and popular broadcast channels. This project is a limited survey of Black female representation on broadcast television comprised of three case studies: Fox's emergency procedural 9-1-1, The CW's HBCU set drama All American: Homecoming, and ABC's sitcom Abbott Elementary. Guiding this survey is a set of critical questions: First, how do these cases represent Black womanhood? Second, what are the industrial and creative contexts of these cases and how do they influence the texts? How do their creators, showrunners, writers, and actors work within the broadcast parameters and appropriate traditional conventions to display different iterations of Blackness? Finally, what new cultural meanings, if any, are the resulting representations generating?
Open Access
When work is worship: studying identification and faith in church workers
(Colorado State University. Libraries, 2023) Neal, Autumn (Buzzetta), author; Williams, Elizabeth, advisor; Faw, Meara, committee member; Dik, Bryan, committee member
This thesis assesses the relationship between faith, organizational identification (OI), spiritual labor, and burnout in ex-church workers. The impetus for my study came from media (Cosper, 2021; Barr, 2021; Du Mez, 2021) and research (Chappell et al., 2022; Garner & Peterson, 2018; McNamee, 2011) that critically addresses destructive practices in church work. Using a qualitative, phenomenological methodology, I conducted thirteen semi-structured interviews of those who have left their positions in the church. I analyzed the data using Tracy's (2020) phronetic-iterative coding approach and Saldaña's (2021) coding recommendations. My findings revealed five key themes: identities in tension, faith as expectation, forced separation, balancing authenticity, and learned solutions. Ultimately, I contribute to research on organizational identification by problematizing enmeshment and over-identification. I conceptualize the faithful face as a balance of authenticity and boundaries in church work. Additionally, I offer contributions to discourses of spiritual labor and implications for studying faith-based organizations. Finally, I address practical implications, limitations, and future directions.
Open Access
Workplace transitions: the role of social media and boundary management
(Colorado State University. Libraries, 2023) Hecht, Emeline, author; Williams, Elizabeth, advisor; Faw, Meara, committee member; Long, Ziyu, committee member; Humphrey, Michael, committee member
Previous literature has examined the workplace transition and its implications for the organization and its members. However, minimal studies have been conducted on how social media may influence the increasingly common occurrence of workplace transitions. This study explores the boundaries that individuals create and negotiate when using social media in the process of organizational transitions. Through twenty-five interviews with individuals who recently changed workplaces, this project highlights experiences of social media boundary management practices as participants navigated their assimilation to and from workplaces. This research project asked what strategies of boundary management employees utilize on social media across multiple assimilation phases. Eight boundary management strategies emerged from the data. The findings of this study expand knowledge of the assimilation process during a job transition and how privacy is managed during the multiple phases, providing insight into the implications of rule violations on organizational membership and the way that privacy rules are communicated between organizational members.
Open Access
Representation and legitimation in streaming television's teenage girl traumedies
(Colorado State University. Libraries, 2023) Barnes-Nelson, Madison, author; Marx, Nick, advisor; Elkins, Evan, committee member; Wolfgang, David, committee member
My objects of study for this project are three streaming television series: Hulu's Pen15 (2019-2021), HBO Max's The Sex Lives of College Girls (2021-), and Channel 4/Netflix's Derry Girls (2018-2022). These series comprise a hybrid television genre I term "teenage girl traumedy." I argue that teenage girl traumedies lend teenage girl characters empathy and emotional complexity not historically afforded to them on television. Using these three series as case studies, I argue that the genre is legitimized culturally and industrially in two ways: 1) through textual appeals in narrative and visual form to feminist discourse and 2) paratextual branding in trade press and interviews with creators that centralize these series' feminist messages of teenage girls' trauma as a distinctive, competitive quality in streaming television. My three case studies depict emotional and bodily traumas on different levels, from the intimate and individualized, interpersonal and institutional, to the national. I show trauma growing and spreading as my thesis develops, as a way to show how teenage girl trauma manifests as personal shame and how the coping process for teenage girls bumps up against interpersonal, institutional, and national spheres. Industrially, my thesis explores the tension between creators who produce subversive, feminist art and the commercially driven streaming services that employ them. I am interested in understanding how these creators write television that delves into themes of young women's sexual and psychological trauma, developing out of previous decades of television that portrayed teenage girls as one-dimensional.
Open Access
"The end of Roe means the end of bodily autonomy": reproductive technologies and temporal framing of women's agency post-Dobbs
(Colorado State University. Libraries, 2023) Hasberger, Hayley, author; Dunn, Tom, advisor; Gibson, Katie, committee member; Martey, Rosa Mikeal, committee member
On June 24th, 2022, the U.S. Supreme Court issued its ruling in the case of Dobbs v. Jackson Women's Health Organization and overturned Roe v. Wade, an almost half century old landmark decision in support of women's reproductive rights. My analysis responds to the exigence of the current technological and post-Dobbs moment, to highlight the discursive implications of a nationwide reproductive technology decision. This thesis examines Jezebel's media framing of reproductive technologies, arguing that women-centric discourses of reproductive technologies post-Dobbs center temporality as a major theme in two distinct ways: 1) by demonstrating the realness of the present moment and 2) pointing to dystopic visions of America's coming future. I contend that these two parallel themes in the discourse frame differing paths towards women's agency, which can have a meaningful impact on the material actions women take in reality. As the overturning of Roe v. Wade continues to unfold, it will be paramount to continue to research and explore communication outcomes associated with the relationship between reproductive technologies and women's bodily autonomy.
Open Access
Reimagining cultural representation of Latinidad on the U.S. screen: this bridge called Disney
(Colorado State University. Libraries, 2023) Dosch, Emily, author; Khrebtan-Hoerhager, Julia, advisor; Diffrient, D. Scott, committee member; Pedrós-Gascón, Antonio, committee member
As one of the largest media conglomerates in the world, Disney functions as a cultural institution in its projections of mediated cultural content. Each second of their animated films operates to mold the corporation's chosen agenda. Given the salience of Disney films as creational and conformist cultural objects, I conduct a critical cultural analysis of two animation pieces, Coco (2017) and Encanto (2021). For this thesis project, I am particularly interested in the politics of representation of Latinx characters and cultures, as essential for children's understanding of the peoples and world around them. Each film, though delivered in different contexts at different times, includes common themes of the importance of family and change/migration to a new destination/generation. At the same time, the films displayed mixed successes with their interpretation, construction, and representation of Mexicanidad and Colombianiadad on the U.S. screen. These depictions were reflective and co-constructive (I argue) of the respective Mexican-American and Colombian-American interculturalities. Through such comparative critical cultural and film analysis, I hope to contribute to the existing and emerging scholarship on the representation and (mis)representation of Latinx population in Disney animated films, and in the cultural industry at large.
Open Access
Dancing in the desert: electronic dance music festivals, carnivalesque rhetorics of disorientation, and performative participant observation
(Colorado State University. Libraries, 2022) Herring, Kristen D., author; Vasby Anderson, Karrin, advisor; Gibson, Katie, committee member; Aoki, Eric, committee member; Pippen, John, committee member
Electronic dance music (EDM) creates communities whose members negotiate and renegotiate the politics of public performances of identity. In this dissertation, I ask "How do EDM festivals function as temporary communities that rhetorically construct the performance of gender and sexuality?" I argue that EDM uses a rhetorical strategy I call disorientation. I detail the ways disorientation helps EDM festival attendees, known as "ravers" or "festies," inhabit liminal spaces and transgress the patriarchal, heteronormative, white supremacist, and capitalist expressions of gender and sexuality that are dominant in the outside world via rhetorics of the carnivalesque. I also develop an approach to rhetorical field methods I call Performative Participant Observation. I demonstrate Performative Participant Observation in this dissertation and argue that similar methods would be useful for scholars interested in studying ephemeral and public performances of gender and sexuality as well as performances of the carnival.
Open Access
Overworked and underpaid: Hollywood gatekeeping in assistant labor and discourse
(Colorado State University. Libraries, 2022) Bennett, Kiah E., author; Marx, Nick, advisor; Black, Ray, committee member; Faw, Meara, committee member; Hughes, Kit, committee member
Ubiquitous, yet unseen, exploited assistants' unseen labor hems the fabric of Hollywood and entertainment industries. In this dissertation, I interrogate the unseen cultural discourses of Hollywood that obfuscate the exploitation of the overworked, underpaid underclass of future creatives and executives: assistants. I argue that the position of an "assistant" – as an entry-level position for Hollywood executive and creative professions – materially, discursively, and socially acts as a gatekeeping mechanism against workers based on class, ability, race, and gender. Meanwhile, Hollywood production and hiring practices must adapt to contemporary demands for accurate representation of diverse positions on-screen and behind-the-scenes diversity. However, Hollywood is inherently white, masculine, middle-to-upper class, and able-bodyminded in its expectations and values. Therefore, I demonstrate how Hollywood uses the position of assistantship to appear diverse, meanwhile the material and cultural conditions of this position gatekeep difference out of Hollywood's creative and executive decision-making roles.
Open Access
Theorizing commensality discourses: food truck communication and influence in local culture
(Colorado State University. Libraries, 2022) Combs, Mitch, author; Aoki, Eric, advisor; Khrebtan-Hörhager, Julia, committee member; Elkins, Evan, committee member; Carolan, Michael, committee member
Food trucks offer spaces of commensality where people negotiate cultural identity and senses of place though practices, tastes, and performances communicated through enactments of food sharing. In this dissertation, I theorize commensality as a rhetorical texture of subcultural ideology, a rhetorical texture of resistance to cultural gentrification, and as a digital process of online community building. I use rhetorical criticism and ethnographic methods of participant observation to analyze physical spaces of food truck commensality in Fort Collins, Colorado: The FOCO Food Truck Rally and North College Avenue. Additionally, I conduct a media discourse analysis of the Fort Collins food truck Instagram community. Overall, I argue that commensality operates as a subcultural ideology resistant and reifying of gourmet elitism, a rhetoric of difference resistant to cultural gentrification, and a process digital commensality building community through social mediated branding, networking, and audiencing.
Open Access
"One nation under God?": a call for secular rhetorical criticism
(Colorado State University. Libraries, 2022) Lee, Kristina M., author; Dunn, Thomas R., advisor; Vasby Anderson, Karrin, committee member; Gibson, Katie, committee member; Cloud, Doug, committee member
This dissertation explores the need for secular rhetorical criticism, an approach to rhetorical scholarship that centers questions of power, privilege, and marginalization in relation to ir/religious pluralism. I contend that such an interconnected rhetorical approach to studying religion would be beneficial in creating a more cohesive conversation within rhetorical scholarship on the relationship of religious pluralism and power. Secular rhetorical criticism is fundamentally concerned with the lives, experiences, and voices of the ir/religiously marginalized and recognizes religious nationalism as part of a hegemonic system that privileges religious homogeneity and inhibits religious pluralism. In four chapters, I demonstrate the utility of engaging in secular rhetorical criticism by offering different approaches to analyzing the implementation of the phrase "under God" into the U.S. pledge of allegiance in 1954. While the phrase "under God" in the pledge is largely framed as example unifying "American civil religion" or benign "ceremonial deism," I argue that in 1954 the pledge was transformed into a theistnormative ritual that promoted a Christian nationalist political imaginary while containing Atheists and secularism. In chapter one, I draw on secular rhetorical criticism to urge scholars to be self-reflective of how their own scholarly language and practices maintain religious hegemonies. Specifically, I point to how "under God" as "civil religion" perpetuates the Myth of Religious Tolerance and I offer the conception of theistnormativity as a more critical descriptor for the fusion of belief in God and national identity. In the next chapter, I urge scholars to utilize secular rhetorical criticism as a lens for considering who is contained and negated by theistnormative texts. By analyzing advocates' justification of the new pledge, I demonstrate how religious and political leaders utilized the rhetorical strategy of prophetic dualism to frame the new pledge as a way to contain Atheists and Secularism. In chapter three, I reflect on how scholars engaging in secular rhetorical criticism need to utilize non-traditional methods to analyze the voices of the ir/religiously marginalized. I demonstrate how the gossip method can be used to speculate about how evidence from archived letters and newspapers suggests political leaders knowingly mischaracterized who supported and opposed the change to the pledge. Finally, I urge scholars to utilize secular rhetorical criticism to disrupt the assumption that the contemporary tensions between secularists and Christian nationalists emerged in the 1960s-1970s. By analyzing the political vocabularies of those writing to President Eisenhower and Congress in response to the new pledge in 1954, I demonstrate how supporters viewed the change as a confirmation of a Christian nationalist political imaginary while those who opposed it saw the new pledge as a threat to democracy from the perspective of a secular political imaginary. Using secular rhetorical criticism to guide my analysis of each chapter, I argue that in 1954 the pledge was transformed into a theistnormative ritual that advanced a Christian nationalist political imaginary while containing Atheists and secularism as part of a larger spiritual-industrial complex. This dissertation looks to the history of the 1950s to reflect on how, in 2022, Christian nationalists are establishing a new spiritual-industrial complex. Rhetorical scholars need an approach to studying rhetoric that will challenge and disrupt this undemocratic movement that undermines the values of religious freedom, tolerance, and equality.
Open Access
Reckoning with identity: the changing dynamics of television representations in the American South
(Colorado State University. Libraries, 2022) Scroggins, Emily, author; Diffrient, David Scott, advisor; Burgchardt, Carl, committee member; Gudmestad, Robert, committee member
The American South is a continually understudied and misrepresented region of the United States. Televisual representations of the region typically rely on the Southern Imaginary, a collection of predetermined stereotypes and ideas about the South, to inform their depictions of Southerners and their identities. These representations tend to be one-dimensional and inauthentic to those who have and continued to live in the region. Recently, media depictions of the American South are attempting to challenge the Southern Imaginary and present a more nuanced and legitimate representation of Southerners. This project investigates how the nuanced representations of race, gender, and sexuality coupled with the settings of Hart of Dixie (CW, 2011-2015), One Mississippi (Amazon, 2015-2017), and Atlanta (FX, 2016-present) work to influence audiences' perceptions of the Southern region of the United States. Ultimately, I address the question: in what ways are modern television depictions of the South fighting against the Southern Imaginary and how does this influence the audiences' understanding of the South as both an actual regional space and a discursive construct? Investigation into the attempts to alter the Southern Imaginary can shed light on the falsities that television depictions of the region utilize to ensure that the South remains a social and political scapegoat for problems of the entire nation thus stagnating progress for all.
Open Access
Choosing love: performances of romance in mobile dating simulation games
(Colorado State University. Libraries, 2022) Martinez, El, author; Elkins, Evan, advisor; Diffrient, Scott, committee member; Martey, Rosa, committee member
With the launch of the Android app store in 2008, mobile gaming has occupied a surging niche in the video game market. While considerable scholarly attention has been paid to video games, with mobile games enjoying a portion of that attention, the study of dating simulation games is still emerging. Further, almost all existing scholarship on dating simulation games focuses on console- or computer-based games. This thesis aims to fill that gap by analyzing how dating simulation conventions translate onto mobile devices. What changes when a new platform, with its own conventions and affordances, is introduced? Through textual analysis of gameplay mechanics, visual style, and narrative, I examine how popular mobile dating simulation games offered through the Android app store construct and restrict player access to romance on the axes of time and money. Ultimately, I argue that the ways time and money flow on the mobile device afford unique performances of romance while foreclosing others, apart from their progenitors on consoles and PCs.