Alan Hovhaness: a conductor's analysis featuring Symphony No. 4, op. 165 for Wind Orchestra and Symphony No. 17, op. 203 for Metal Orchestra
dc.contributor.author | Bowles, Michael P., author | |
dc.contributor.author | Phillips, Rebecca, advisor | |
dc.contributor.author | Grapes, K. Dawn, committee member | |
dc.contributor.author | Kenny, Wes, committee member | |
dc.contributor.author | Balgopal, Meena, committee member | |
dc.date.accessioned | 2016-07-13T14:50:30Z | |
dc.date.available | 2016-07-13T14:50:30Z | |
dc.date.issued | 2016 | |
dc.description.abstract | Studying American composers and American music encourages the continued performance of our cultural music masters. Alan Hovhaness (1911-2000) is seldom researched and is thus becoming an underperformed composer. He composed during the eclectic compositional era of the twentieth century and is best known for his orchestral works. His music for wind band is not well known by the music community at large. The purpose of this thesis is to provide conductors and performers with a guide to performing and understanding the wind band music of Alan Hovhaness. Part I includes a biographical sketch and summary of Hovhaness’s compositional style. Part II is a conductor’s analysis of two works for winds and percussion. The first is his most well known piece for band, Symphony No. 4 (1958), and the second is a lesser known chamber work Symphony No. 17 (1963). The conductor’s analysis consists of both a theoretical and rehearsal analysis for each work. The theoretical analysis is a survey of each work focusing on form, melody, harmony, texture, dynamics, rhythm, and meter. The rehearsal analysis is comprised of two major sections, first is the considerations for the conductor, and second is considerations for the ensemble. Both sections are designed to guide future performers in executing these two works. | |
dc.format.medium | born digital | |
dc.format.medium | masters theses | |
dc.identifier | Bowles_colostate_0053N_13603.pdf | |
dc.identifier.uri | http://hdl.handle.net/10217/173555 | |
dc.language | English | |
dc.language.iso | eng | |
dc.publisher | Colorado State University. Libraries | |
dc.relation.ispartof | 2000-2019 | |
dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
dc.title | Alan Hovhaness: a conductor's analysis featuring Symphony No. 4, op. 165 for Wind Orchestra and Symphony No. 17, op. 203 for Metal Orchestra | |
dc.type | Text | |
dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
thesis.degree.discipline | Music, Theatre, and Dance | |
thesis.degree.grantor | Colorado State University | |
thesis.degree.level | Masters | |
thesis.degree.name | Master of Music (M.M.) |
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