Overworked and underpaid: Hollywood gatekeeping in assistant labor and discourse
dc.contributor.author | Bennett, Kiah E., author | |
dc.contributor.author | Marx, Nick, advisor | |
dc.contributor.author | Black, Ray, committee member | |
dc.contributor.author | Faw, Meara, committee member | |
dc.contributor.author | Hughes, Kit, committee member | |
dc.date.accessioned | 2022-08-29T10:17:14Z | |
dc.date.available | 2022-08-29T10:17:14Z | |
dc.date.issued | 2022 | |
dc.description.abstract | Ubiquitous, yet unseen, exploited assistants' unseen labor hems the fabric of Hollywood and entertainment industries. In this dissertation, I interrogate the unseen cultural discourses of Hollywood that obfuscate the exploitation of the overworked, underpaid underclass of future creatives and executives: assistants. I argue that the position of an "assistant" – as an entry-level position for Hollywood executive and creative professions – materially, discursively, and socially acts as a gatekeeping mechanism against workers based on class, ability, race, and gender. Meanwhile, Hollywood production and hiring practices must adapt to contemporary demands for accurate representation of diverse positions on-screen and behind-the-scenes diversity. However, Hollywood is inherently white, masculine, middle-to-upper class, and able-bodyminded in its expectations and values. Therefore, I demonstrate how Hollywood uses the position of assistantship to appear diverse, meanwhile the material and cultural conditions of this position gatekeep difference out of Hollywood's creative and executive decision-making roles. | |
dc.format.medium | born digital | |
dc.format.medium | doctoral dissertations | |
dc.identifier | Bennett_colostate_0053A_17323.pdf | |
dc.identifier.uri | https://hdl.handle.net/10217/235708 | |
dc.language | English | |
dc.language.iso | eng | |
dc.publisher | Colorado State University. Libraries | |
dc.relation.ispartof | 2020- | |
dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
dc.subject | film | |
dc.subject | paying dues | |
dc.subject | unbankable | |
dc.subject | girlboss feminism | |
dc.subject | critical media industry | |
dc.subject | television | |
dc.title | Overworked and underpaid: Hollywood gatekeeping in assistant labor and discourse | |
dc.type | Text | |
dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
thesis.degree.discipline | Communication Studies | |
thesis.degree.grantor | Colorado State University | |
thesis.degree.level | Doctoral | |
thesis.degree.name | Doctor of Philosophy (Ph.D.) |
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