CRACKING THE CODE: A CONDUCTOR’S ANALYSIS OF DAVID BIEDENBENDER’S ENIGMA
| dc.contributor.author | Davis, David Wray, author | |
| dc.contributor.author | Phillips, Rebecca L., advisor | |
| dc.contributor.author | Grapes, K. Dawn, committee member | |
| dc.contributor.author | Taylor, James, committee member | |
| dc.contributor.author | Mallette, Dawn, committee member | |
| dc.date.accessioned | 2026-06-08T10:31:46Z | |
| dc.date.issued | 2026 | |
| dc.description.abstract | This thesis presents a complete conductor’s analysis of David Biedenbender’s Enigma, consisting of a biographical sketch of the composer’s life and career, an overview of his compositional voice, and a theoretical and rehearsal analysis of the piece itself. David Biedenbender has become one of the foremost composers of the twenty-first century through his prestigious accolades, notable commissions, and collaborations with leading ensembles internationally. Several sources offer a patchwork of his biography, but no single source extensively covers his life and career, resulting in a pressing need for scholarly research. This document helps fill this gap. Enigma is a significant contribution to wind band repertoire, as evidenced by a 2024 William D. Revelli Memorial Competition Contest award and widespread programming across the country since its premiere. By masterfully blending his contemporary voice and training with the cornerstone work of J. S. Bach’s Passacaglia and Fugue in C Minor, Biedenbender pays appropriate homage to one of the most celebrated composers and pieces in history, as Enigma utilizes formal structures, melodic material, and accompaniment figures found in the original. Biedenbender’s treatment of each musical element demonstrates careful craftsmanship and design. Through analysis of the theoretical elements of composition and their respective performance considerations, this thesis creates a usable guide for conductors in their efforts to understand, prepare, and perform this work. | |
| dc.format.medium | born digital | |
| dc.format.medium | masters theses | |
| dc.identifier | Davis_colostate_0053N_19570.pdf | |
| dc.identifier.uri | https://hdl.handle.net/10217/244819 | |
| dc.identifier.uri | https://doi.org/10.25675/3.027179 | |
| dc.language | English | |
| dc.language.iso | eng | |
| dc.publisher | Colorado State University. Libraries | |
| dc.relation.ispartof | 2020- | |
| dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
| dc.subject | Conductor's Analysis | |
| dc.subject | Enigma | |
| dc.subject | Passacaglia and Fugue | |
| dc.subject | Cracking the Code | |
| dc.subject | Biedenbender | |
| dc.subject | J. S. Bach | |
| dc.title | CRACKING THE CODE: A CONDUCTOR’S ANALYSIS OF DAVID BIEDENBENDER’S ENIGMA | |
| dc.type | Text | |
| dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
| thesis.degree.discipline | Music, Theatre and Dance (School of) | |
| thesis.degree.grantor | Colorado State University | |
| thesis.degree.level | Masters | |
| thesis.degree.name | Master of Music (M.M.) |
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