The subjective sense of familiarity with music
| dc.contributor.author | McNeely-White, Katherine L., author | |
| dc.contributor.author | Cleary, Anne M., advisor | |
| dc.contributor.author | Seger, Carol A., committee member | |
| dc.contributor.author | Henry, Kimberly, committee member | |
| dc.contributor.author | LaGasse, Blythe, committee member | |
| dc.date.accessioned | 2020-06-22T11:52:34Z | |
| dc.date.available | 2020-06-22T11:52:34Z | |
| dc.date.issued | 2020 | |
| dc.description.abstract | The process of familiarity—the mere sense or feeling of prior experience with something—remains poorly understood. Most theories assume that familiarity involves separable features held within memory traces, and some empirical evidence supports this notion. Familiarity appears to be at work in the metacognitive phenomenon known as déjà vu—the feeling of having experienced something before despite knowing that it is new—and its accompanying illusion of prediction. The present study examined the nature of musical features held within memory traces and their possible role in déjà entendu – the auditory version of déjà vu. Participants in Experiment 1 received studied songs in altered contexts at test. As in déjà vu research, the familiarity occurring in these altered auditory contexts related to reports of déjà entendu. In Experiment 2, repeated exposure to isolated musical features (rhythm or pitch) at study led to increased familiarity and déjà entendu reports with the full songs later. In Experiment 3, illusory feelings of prediction were shown to be associated with reports of déjà entendu. During déjà entendu, participants felt more able to predict the song's contour (Experiment 3a) and the sound location of the next note in the sequence (Experiment 3b). The full pattern of results suggest that separable features are a central component of the familiarity process with music, and that they play a role in déjà entendu. As shown in déjà vu research, both déjà entendu and feelings of familiarity are associated with illusory feelings of prediction. | |
| dc.format.medium | born digital | |
| dc.format.medium | masters theses | |
| dc.identifier | White_colostate_0053N_15909.pdf | |
| dc.identifier.uri | https://hdl.handle.net/10217/208430 | |
| dc.language | English | |
| dc.language.iso | eng | |
| dc.publisher | Colorado State University. Libraries | |
| dc.relation.ispartof | 2020- | |
| dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
| dc.subject | familiarity | |
| dc.subject | metacognition | |
| dc.subject | déjà vu | |
| dc.subject | recognition | |
| dc.subject | memory | |
| dc.title | The subjective sense of familiarity with music | |
| dc.type | Text | |
| dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
| thesis.degree.discipline | Psychology | |
| thesis.degree.grantor | Colorado State University | |
| thesis.degree.level | Masters | |
| thesis.degree.name | Master of Science (M.S.) |
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