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Anthony Hood: capstone

dc.contributor.authorHood, Anthony, artist
dc.date.accessioned2015-12-02T21:06:47Z
dc.date.available2015-12-02T21:06:47Z
dc.date.issued2015
dc.descriptionColorado State University Art and Art History Department capstone project.
dc.descriptionCapstone contains the artist's statement, a list of works, and images of works.
dc.description.abstractThe artist's statement: In coming to Colorado State University, I discovered myself as an artist through the Printmaking concentration. Through this concentration, I was allowed to establish my work in a contemporary context. I feel this concentration has given me confidence in having a place in the arts, giving me a substantial and broad starting point. I made a series of experimental works which might not have a proper place in the arts and other work that will be easily enough to match into a typical style or process. Out of everything I have done, I can say, I didn't quite know where or what I was doing a majority of the time but I did know I had deadlines and ambition to see them out. My work as a visual artist, specifically in Printmaking, is to entertain the private or public eye. I have always been interested in bringing people of the community a minute impact of enjoyable creativity. It doesn't have to be enjoyed for extended amounts of time because I wouldn't be obsessive about it. I try to arrive at my work with a positivity attitude of direct intent, ambition to finish my goals, and continuing the wheel instead of reinventing it. These three points are how my work plays into the modern contemporary art because it's been the most consistent means of making art during my undergraduate degree. My direct involvement with the contemporary arts is my passion of continuing my concentration in a means of cross mixing media to find what isn't there or obvious apparently. I state this for reasons such as my work dealing in experimentation outside the general elements of printmaking. I use outside resources to come to a finished print, and don't stick to what is known. I have had made myself diverge from the normal mark making techniques and imagine a composition that uses both formal and experimental aspects. Typically, my work is out in left field, they seem to come at random, and don't maintain seriousness. They are whimsical and slightly kitch-y pieces derived from the idea of showing something bizarre or out of place. They create a reaction of bewilderment, followed by a moment of childish amusement. The works are meant to brighten up, or make a brief feeling of enjoyment. My work isn't meant to be in your face or potent but a means of striking small bits of emotion.
dc.format.mediumStudent works
dc.identifier.urihttp://hdl.handle.net/10217/170045
dc.languageEnglish
dc.language.isoeng
dc.publisherColorado State University. Libraries
dc.relation.ispartofPrintmaking
dc.rightsCopyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.
dc.titleAnthony Hood: capstone
dc.typeStillImage
dcterms.rights.dplaThis Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
thesis.degree.disciplineArt and Art History
thesis.degree.grantorColorado State University
thesis.degree.levelUndergraduate
thesis.degree.nameCapstone

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