Grace Stamps: capstone
| dc.contributor.author | Stamps, Grace, artist | |
| dc.date.accessioned | 2016-03-10T20:44:24Z | |
| dc.date.available | 2016-03-10T20:44:24Z | |
| dc.date.issued | 2015 | |
| dc.description | Colorado State University Art and Art History Department capstone project. | |
| dc.description | Capstone contains the artist's statement, a list of works, and images of works. | |
| dc.description.abstract | The artist's statement: As a multiracial woman I find it difficult to relate to any singular culture. Though I participate within both white and black American communities, my personal involvement has often been contradictory or inharmonious. I am neither "black-enough" nor "white-enough." I am unable to fully connect with, or emulate, key characteristics of either black or white culture. Thus, I have always felt suspended between the two, belonging to neither. I have turned to painting to explore-and in effect create-my own cultural and racial identity. By taking popular visual media that deals with black or white American culture, I dismantle the imagery through formal conventions (line, color, composition, etc.) to literally deconstruct my identity. The vibrant colors in my paintings reflect the energetic behaviors, beliefs, and actions of the cultural group in question while I am presented as a grey figure. My hue in my paintings-or lack thereof-is a visual representation of identifying as black and white (black + white = grey) and falling between two cultures in a "grey zone." In addition, the lack of vibrancy in my skin further emphasizes my inability to assimilate with, or reflect, the vibrant cultures surrounding me. At times my "assimilation" may appear forced or voluntary; violent or passive; recognizable or foreign. I find catharsis in using paint to explore my conceptions of self. I have always struggled with my racial and cultural identity. By taking control-creating my own culture through fine art-I am able to explore what it means to me to be biracial and construct a personal, cultural space to exist within. | |
| dc.format.medium | Student works | |
| dc.identifier.uri | http://hdl.handle.net/10217/171067 | |
| dc.language | English | |
| dc.language.iso | eng | |
| dc.publisher | Colorado State University. Libraries | |
| dc.relation.ispartof | Painting | |
| dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
| dc.subject | painting | |
| dc.title | Grace Stamps: capstone | |
| dc.type | StillImage | |
| dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
| thesis.degree.discipline | Art and Art History | |
| thesis.degree.grantor | Colorado State University | |
| thesis.degree.level | Undergraduate | |
| thesis.degree.name | Capstone |
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