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Ouroboros

dc.contributor.authorTrain, Stephanie A., author
dc.contributor.authorDoenges, Judy, advisor
dc.contributor.authorSchwartz, Steven, committee member
dc.contributor.authorPrince, Eric, committee member
dc.date.accessioned2007-01-03T05:16:10Z
dc.date.available2013-06-01T08:10:42Z
dc.date.issued2011
dc.description.abstractIf the radiance of a thousand suns Were to burst at once into the sky That would be like the splendor of the Mighty one... I am become Death, The shatterer of Worlds. - Bhagavad Gita This thesis is an invitation to immortality, or rather, a creative study in character transformation. Six short stories, each representing a transformative journey, comprise the contents of this thesis, titled Ouroboros after the ancient symbol depicting a dragon or serpent eating its own tail. In alchemy the ouroboros symbolizes regeneration; the snake appears to perpetuate the cycle of life and death as it sheds it skin. Normandi Ellis writes that the ouroboros has long been a "symbol of unified beginning and end, the ouroboros who creates the universe also devours it." Death and rebirth (both physical and spiritual) are common themes, nothing that hasn't been well-mined or frequently visited in the literary world. Yet, all good writers are taught that characters must, at the very least, confront some kind of changing force in their fictional lives. In terms of point of view, these stories display a wide range--first person, second person, and third person--each bringing a unique style and voice to its perspective narrative. Transformative situations explored in this collection include a young woman's struggle with spiritual identity; the discovery of a body in a small Wyoming town; a widow's attempt to reconcile the loneliness she feels after her husband's death; and a man coming to terms with his mother's terminal illness. How we deal with death and transformation varies depending on the individual. I have striven to create characters, within these stories, who change and evolve (or, in some cases, devolve) on their own terms.
dc.format.mediumborn digital
dc.format.mediummasters theses
dc.identifierTrain_colostate_0053N_10376.pdf
dc.identifier.urihttp://hdl.handle.net/10217/47408
dc.languageEnglish
dc.language.isoeng
dc.publisherColorado State University. Libraries
dc.relation.ispartof2000-2019
dc.rightsCopyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.
dc.rights.accessAccess is limited to the Colorado State University community only.
dc.subjectouroboros
dc.subjecttransformation
dc.titleOuroboros
dc.typeText
dcterms.embargo.expires2013-06-01
dcterms.embargo.terms2013-06-01
dcterms.rights.dplaThis Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
thesis.degree.disciplineEnglish
thesis.degree.grantorColorado State University
thesis.degree.levelMasters
thesis.degree.nameMaster of Fine Arts (M.F.A.)

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