Abstraction, ideology and identity
dc.contributor.author | Hettinga, Maria, author | |
dc.contributor.author | Simons, Stephen, advisor | |
dc.contributor.author | Dormer, James, advisor | |
dc.contributor.author | Beachy-Quick, Dan, committee member | |
dc.contributor.author | Ryan, Ajean, committee member | |
dc.contributor.author | Tornatzky, Cyane, committee member | |
dc.date.accessioned | 2007-01-03T06:42:50Z | |
dc.date.available | 2007-01-03T06:42:50Z | |
dc.date.issued | 2014 | |
dc.description.abstract | My graduate work has been in printmaking, specifically monoprints. I print a variety of materials which reference landscape as well as domestic life, including common household materials such as wax paper, plastic wrap, sewing machine-stitched swatches of textiles and paper, tulle and lingerie. My personal biography is instrumental in my work; my cultural identity has played a major role in shaping my personal identity. I was raised in a Dutch immigrant farming community on the rural perimeter of Los Angeles. Domesticity, decorative arts, fashion and femininity were intertwined to create a fixed notion of beauty and to enforce a strict definition of gender roles. My insular, conservative community contrasted with the ever-changing natural environment of Southern California in the 1970s--1990s; the landscape was altered by urban expansion as well as pollution. I make abstract visual references to fashion, femininity and landscape in effort to create imagery which evades easy definition. I employ abstraction to destabilize traditional, taken-for-granted ideological narratives. While challenging authority, I promote a mindful approach to social and environmental progress which acknowledges the complexities of the twenty-first century. | |
dc.format.medium | born digital | |
dc.format.medium | masters theses | |
dc.identifier | HettingaDuffy_colostate_0053N_12316.pdf | |
dc.identifier.uri | http://hdl.handle.net/10217/82604 | |
dc.language | English | |
dc.language.iso | eng | |
dc.publisher | Colorado State University. Libraries | |
dc.relation.ispartof | 2000-2019 | |
dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
dc.subject | abstraction | |
dc.subject | feminine | |
dc.subject | figure | |
dc.subject | landscape | |
dc.subject | monoprint | |
dc.subject | printmaking | |
dc.title | Abstraction, ideology and identity | |
dc.type | Text | |
dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
thesis.degree.discipline | Art | |
thesis.degree.grantor | Colorado State University | |
thesis.degree.level | Masters | |
thesis.degree.name | Master of Fine Arts (M.F.A.) |
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