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Drawing as a phenomenological exploration of ritual

dc.contributor.authorValentine, Clark, author
dc.contributor.authorLehene, Marius, advisor
dc.contributor.authorLajarin-Encina, Aitor, committee member
dc.contributor.authorDineen, Mark, committee member
dc.contributor.authorBrady, Shawn, committee member
dc.date.accessioned2022-05-30T10:21:26Z
dc.date.available2022-05-30T10:21:26Z
dc.date.issued2022
dc.description.abstractHistorically, drawing developed in conjunction with ritual practices. Beginning with cave paintings, where drawings were traced and retraced over generations, drawing developed as a performative element of ritual practice. Even into modern day, drawing is present in many ritual practices throughout the world. In defining ritual from a phenomenological perspective, specifically through the language of Martin Heidegger's book Being in Time, ritual embodies a process of uncovering the horizons of the world, which is the realm of one's understanding. Many of Heidegger's key ideas overlap ritualistic perspectives from ancient China, including the philosophy of Daoism and the ritual culture of Confucian philosophy. Through these, I am able to articulate the way in which my own studio practice and current body of work (2020 through publication) function as a subset of this methodology of mark-making as ritual. I explain the relationship between the ritual of my making within the studio setting and the ritual of looking, audience members perform in the gallery. This ritual of drawing embodies both ideas of being-in-the-world as well as providing paradigmatic examples of the transcendence of ritual into everyday life.
dc.format.mediumborn digital
dc.format.mediummasters theses
dc.identifierValentine_colostate_0053N_17122.pdf
dc.identifier.urihttps://hdl.handle.net/10217/235205
dc.languageEnglish
dc.language.isoeng
dc.publisherColorado State University. Libraries
dc.relation.ispartof2020-
dc.rightsCopyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.
dc.subjectmark-making
dc.subjectphilosophy
dc.subjectritual
dc.subjectphenomenology
dc.subjectdrawing
dc.subjectreligion
dc.titleDrawing as a phenomenological exploration of ritual
dc.typeText
dcterms.rights.dplaThis Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
thesis.degree.disciplineArt and Art History
thesis.degree.grantorColorado State University
thesis.degree.levelMasters
thesis.degree.nameMaster of Fine Arts (M.F.A.)

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