Robert Di Grappa: capstone
| dc.contributor.author | Di Grappa, Robert, artist | |
| dc.date.accessioned | 2018-05-08T14:43:56Z | |
| dc.date.available | 2018-05-08T14:43:56Z | |
| dc.date.issued | 2018 | |
| dc.description | Colorado State University Art and Art History Department capstone project. | |
| dc.description | Capstone contains the artist's statement, a list of works, and images of works. | |
| dc.description.abstract | The artist's statement: When did art become Art? In ancient times everything we call art today was created with a specific function, whether it was a clay pot, a necklace, a sword, tools, clothing, or any of the various items used in everyday life, all created by hand. As a horse-shoer (Farrier) I learned early on that there should be no distinction between craftsmanship and artistic prowess. While working for the company that, at the time, had the contract to shoe the Budweiser horses, one of the elderly gentleman I worked for said, "We are finesse shoers." As an artist and craftsman, I have worked with clay, charcoal, pencil, ink, acrylic, wood, stone, metal, video, photography, and even utilized animal bone in my sculptures. Printmaking can involve some or all the above in the technology known as lithography, intaglio, woodcut, and photo-lithographs. I have used bark from a Cottonwood tree to print with, married wood and stone and burned the wood and brushed it to obtain value, welded metal in both coal and gas forges and with welding equipment, hammered the metal to stretch it, texture it, gouged it and split it, using heat to color it. These sculptural processes have been translated directly into how I work with Zinc and Copper Intaglio printmaking plates. I enjoy the process of formalizing an object, capturing an image on paper, representing an abstract idea, collaging, carving, and combining as many of the materials I have mentioned into a coherent representation of a stream of consciousness. My desire is, to express my belief in the moment, of what I believe, and the wonder I perceive in that moment, according to that belief. | en_US |
| dc.format.medium | born digital | |
| dc.format.medium | Student works | |
| dc.identifier.uri | https://hdl.handle.net/10217/187518 | |
| dc.language | English | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Colorado State University. Libraries | en_US |
| dc.relation.ispartof | Printmaking | |
| dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
| dc.subject | printmaking | |
| dc.title | Robert Di Grappa: capstone | en_US |
| dc.type | Image | |
| dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
| thesis.degree.discipline | Art and Art History | |
| thesis.degree.grantor | Colorado State University | |
| thesis.degree.level | Undergraduate | |
| thesis.degree.name | Capstone |