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Rhetorics of disgust and love in the Belgian colonization of the Congo

dc.contributor.authorKiser, Karyn Elaine, author
dc.contributor.authorSloane, Sarah, advisor
dc.contributor.authorSorensen, Leif, committee member
dc.contributor.authorAnderson, Karrin, committee member
dc.date.accessioned2022-04-15T15:25:59Z
dc.date.available2022-04-15T15:25:59Z
dc.date.issued2010
dc.descriptionCovers not scanned.
dc.descriptionPrint version deaccessioned 2022.
dc.description.abstractAs colonial and postcolonial studies insist, the Western legacy of colonization has had— and continues to have—a profound impact on the composition of subject positions and the subsequent distribution of power in Western civilization. Connected to the colonizer/colonized binary produced through colonial involvement is the reason/emotion binary; Western concepts of civilization and primitivism are closely related to the reason/emotion binary as reason and emotional restraint have historically been markers of civilization while the Western notion of the primitive includes emotional excess to the point of animality. Given this link between reason, emotion, and colonization, recent emotion studies scholarship that seeks to unpack the reason/emotion binary has much to offer colonial studies. One such emotion theorist is Sara Ahmed, who in The Cultural Politics of Emotion investigates the manner in which emotion produces and sustains social meaning to construct subjectivities. The intersection of this scholarship and colonial studies, then, lies in emotion’s role in composing colonial subjectivities. My aim in this thesis is to explore that intersection, investigating how emotion operates as an organizing principle within the colonizer/colonized binary and, more specifically, in the historical moment of Belgium’s King Leopold II and his campaign for Belgian colonial involvement in Africa. My focus throughout this research rests on rhetorics of disgust and love, two seemingly incompatible emotions. In traditional conceptions, the former involves a strong bodily revulsion and the latter an equally strong affection and desire. However, within Ahmed's framework of relational emotions and sustained affective investments, disgust and love operate similarly to identify objects of emotion and, in so doing, allow for emerging subjects. Close attention to these emotions in colonial texts from Belgium’s Congo Free State offer s new and instructive ways of understanding the intersecting relationships within this discourse. Despite Leopold’s international notoriety in the late 19th and earlier 20th centuries, through a series of complex historical and political phenomena, the story of the founding of the Congo Free State and its aftermath has been largely erased from the Western historical narrative. In the interests of exploring the largely untold story of the Congo, this thesis is a close textual reading of historical documents from Leopold, the explorer Henry Morton Stanley, and the lawyer Henry Wellington Waek, which support colonization, as well as documents from Congo Reform Association leader E. D. Morel. My ultimate goal in analyzing these texts is to offer insights into rhetorics of disgust and love beyond the immediate historical situation while at the same time drawing long overdue attention to this colonial circumstance.
dc.format.mediummasters theses
dc.identifier.urihttps://hdl.handle.net/10217/234703
dc.languageEnglish
dc.language.isoeng
dc.publisherColorado State University. Libraries
dc.relationCatalog record number (MMS ID): 991014554459703361
dc.relationP301.5.P67 K57 2010
dc.relation.ispartof2000-2019
dc.rightsCopyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.
dc.subjectRhetoric -- Political aspects -- Congo (Democratic Republic)
dc.subjectBelgians -- Colonization -- Congo (Democratic Republic)
dc.titleRhetorics of disgust and love in the Belgian colonization of the Congo
dc.typeText
dcterms.rights.dplaThis Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
thesis.degree.disciplineEnglish
thesis.degree.grantorColorado State University
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts (M.A.)

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