Elliot Stemen: capstone
| dc.contributor.author | Stemen, Elliot, artist | |
| dc.date.accessioned | 2021-05-12T15:53:51Z | |
| dc.date.available | 2021-05-12T15:53:51Z | |
| dc.date.issued | 2021 | |
| dc.description | Colorado State University Art and Art History Department capstone project. | en_US |
| dc.description | Capstone contains the artist's statement, a list of works, and images of works. | en_US |
| dc.description.abstract | The artist's statement: My work shows repetitive imagery, compositions, subject matter, and colors as a critique of the echo chamber of ideas that are presented on social media and media at large. There are mannerisms that people follow, habits that get formed all in a quest to be seen as a better, or more humorous, or more genuine, or more intelligent human being. The idea of needing to act a certain way or look a certain way or talk a certain way to gain the approval of others deeply frightens me. It takes away what makes us each unique and can limit new approaches to intuitive thought. Using flat oils and acrylics to depict scenes of human and animal interaction, I aim to show the monotony of ideas proposed through media. I enjoy working with large spaces of color, but deliberately shying away from using stencils or tape to create my linework. This is because I find it important to show my hand in the work, as I believe there is life behind these rather static compositions. I show motion through unsteady lines. Imagery of dead animals and industrial waste spawned by COVID-19 act a metaphor for the limitation of ideas that we succumb ourselves to when failing to question simple ideologies. Social media platforms in particular fail to offer us the motivation to engage with deeper conversations that we have in our daily lives. And at times can push a narrative that deeper conversations and better understandings are inherently less important because of manipulative functionalities like 'likes' and 'comments.' This is worrisome when social media has become a major, or the major, means of communication for many of us. The flat composition of the works also acts as a representation of what is happening in the images we view without the application of a perfect filter, witty caption, or predisposed attitude towards the person who is posting. I find it paramount that as a society we view social media sites, not through fantastical lens, but as they are. | en_US |
| dc.format.medium | born digital | |
| dc.format.medium | Student works | |
| dc.identifier.uri | https://hdl.handle.net/10217/232424 | |
| dc.language | English | |
| dc.language.iso | eng | |
| dc.publisher | Colorado State University. Libraries | |
| dc.relation.ispartof | Painting | |
| dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
| dc.subject | painting | en_US |
| dc.title | Elliot Stemen: capstone | en_US |
| dc.type | Text | |
| dc.type | Image | |
| dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
| thesis.degree.discipline | Art and Art History | |
| thesis.degree.grantor | Colorado State University | |
| thesis.degree.level | Undergraduate | |
| thesis.degree.name | Capstone |
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