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Of painted women and patrons: an analysis of personal items and identity at a Victorian-era red light district in Ouray, Colorado

dc.contributor.authorGensmer, Kristin A., author
dc.contributor.authorVan Buren, Mary, advisor
dc.contributor.authorCarlson, Linda, committee member
dc.contributor.authorKwaitkowski, Lynn, committee member
dc.date.accessioned2007-01-03T08:11:03Z
dc.date.available2007-01-03T08:11:03Z
dc.date.issued2012
dc.description.abstractArchaeological investigations of prostitution tend to focus on identifying the presence of females in male spaces and differentiating brothel assemblages from surrounding households. These approaches often focus on upper-class establishments and define prostitutes solely by their labor. Additionally, these scholars neglect the fact that prostitution could not exist without customers. Although often ignored, personal items represent one of the few means of addressing such oversights. In this thesis, I analyze a sample of 948 personal items recovered from the Vanoli Site (5OR30) in conjunction with data gleaned from historic documents including censuses and photographs in order to discuss Victorian-era prostitution in Ouray, Colorado. This project was designed to 1) explore the premise that the prostitute was a performative identity constructed through the manipulation of clothing, accessories, cosmetics, and hygiene by sex workers as part of their work; 2) examine the similarities between prostitutes and other working-class women in Ouray, 3) provide information about the otherwise invisible customers. The personal items and documentary evidence indicate that women and men on the Vanoli block were presenting a clean, well-groomed, and thoroughly working-class appearance. This study concludes that the male patrons defined their larger identities through their labor, and their identities as customers through their interactions with the sex workers, and therefore did not alter their appearances specifically to participate in leisure culture. Furthermore, while prostitutes were using perfumes and hygiene-products to construct a sweet-smelling, healthy appearance, they were not wearing specialized make up or clothing as part of their labor. Instead of using personal items to alter their physical appearance to create the performative identity of the prostitute, these women constructed their identities in leisure culture through their participation in prostitution and through their work. My results emphasize the importance of including personal items in examinations of prostitution in order to further dispel the stereotypical image of the Wild West.
dc.format.mediumborn digital
dc.format.mediummasters theses
dc.identifierGensmer_colostate_0053N_11242.pdf
dc.identifierETDF2012500217ANPO
dc.identifier.urihttp://hdl.handle.net/10217/68104
dc.languageEnglish
dc.language.isoeng
dc.publisherColorado State University. Libraries
dc.relation.ispartof2000-2019
dc.rightsCopyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.
dc.subjectappearance
dc.subjectOuray
dc.subjectpersonal item
dc.subjectprostitute
dc.subjectred light
dc.subjectVanoli
dc.titleOf painted women and patrons: an analysis of personal items and identity at a Victorian-era red light district in Ouray, Colorado
dc.typeText
dcterms.rights.dplaThis Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
thesis.degree.disciplineAnthropology
thesis.degree.grantorColorado State University
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts (M.A.)

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