Grace Morris: capstone
| dc.contributor.author | Morris, Grace, artist | |
| dc.date.accessioned | 2021-05-12T15:56:38Z | |
| dc.date.available | 2021-05-12T15:56:38Z | |
| dc.date.issued | 2021 | |
| dc.description | Colorado State University Art and Art History Department capstone project. | en_US |
| dc.description | Capstone contains the artist's statement, a list of works, and images of works. | en_US |
| dc.description.abstract | The artist's statement: Preservation and more specifically the act of keeping an event or structure in existence is the driving force behind my research and creativity. I create visual representations of specific historical events and architectural sites through various printmaking techniques. Recently, the focus of my art pieces has been on decaying structures and historical events resulting in destruction. I am captivated by the structure of architecture, but knowing the historical significance of a structure along with its degradation furthers my motivation to preserve it through art. I research sites and occurrences in the United States, with a more recent, narrow focus on Colorado. I utilize a combination of linear marks with gestural, painterly marks to depict recognizable architectural structures amidst chaos and disorder. Structures that are visually unsafe and unstable influences my work and challenges the perception of permanence and indestructibility. When portraying a building that is decaying and being reclaimed by nature, I research to find the reason why humans abandoned the structure. The condition of the building provides further context to the changes in society and the issues humans were facing at the time of abandonment. For example, changes in the economy such as depressions or shifts in modes of production have resulted in the abandonment of buildings that no longer serve a purpose in society. If the building was destroyed by a natural disaster or human violence, I research to learn the historical event behind the deconstruction. These pieces are based on primary sources such as photographs, personal accounts or newspaper articles to best interpret the event. This work of damaged structures represents and symbolizes human unrest, inaction with natural disasters or societal anger and violence that are seen multiple times throughout history. | en_US |
| dc.format.medium | born digital | |
| dc.format.medium | Student works | |
| dc.identifier.uri | https://hdl.handle.net/10217/232431 | |
| dc.language | English | |
| dc.language.iso | eng | |
| dc.publisher | Colorado State University. Libraries | |
| dc.relation.ispartof | Printmaking | |
| dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
| dc.subject | printmaking | en_US |
| dc.title | Grace Morris: capstone | en_US |
| dc.type | Text | |
| dc.type | Image | |
| dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
| thesis.degree.discipline | Art and Art History | |
| thesis.degree.grantor | Colorado State University | |
| thesis.degree.level | Undergraduate | |
| thesis.degree.name | Capstone |