Picture Man: the legacy of southeast Alaska photographer Shoki Kayamori
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Abstract
In 1912, Shoki Kayamori and his box camera arrived in a small Tlingit village in southeast Alaska. At a time when Asian immigrants were forbidden to own property and faced intense racial pressure, the Japanese-born Kayamori put down roots and became part of the Yakutat community. For three decades he photographed daily life in the village, turning his lens on locals and migrants alike, and gaining the nickname 'Picture Man.' But as World War II drew near, his passion for photography turned dangerous as government officials called out Kayamori as a potential spy. Despondent, Kayamori committed ...
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