Drawing

Permanent URI for this collectionhttps://hdl.handle.net/10217/180166

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Now showing 1 - 20 of 71

Open Access
Rowan Ditslear: capstone
(Colorado State University. Libraries, 2025) Ditslear, Rowan, artist
The artist's statement: Through my experience with total aphantasia, the inability to recreate one's senses in their mind, I create representations of how I feel when I cannot experience the world internally. Taking a peek into the inner workings of my mind, my art explores the possibilities of visual representation of a mind that cannot see. With surreal larger-than-life self portraits, my work pulls my frustrations with my mind and memories into a physical space by inking onto raw, unstretched canvas. More durable than my own memory, the canvas holds a piece of my mind in a way that I have not been able to visualize it before. With each pen mark and brush stroke, I bring to life obscure feelings and on the nose metaphors in these oversized pieces.
Open Access
Kendall Gallien: capstone
(Colorado State University. Libraries, 2025) Gallien, Kendall, artist
The artist's statement: Through my artwork, I try to explore the use of different mediums to reflect on my own experiences and personal journey. As a child, I had a sense of flexibility and fragility, and this material allowed me to express these themes in a vulnerable and strong way. I like this material's vibrant colors and texture as it creates a sense of energy in my drawings. Through this combination of traditional and foam cord techniques, I hope to create pieces to help viewers reflect on their lives. My works reflect the experiences and struggles that I have experienced due to my stroke in the womb. These experiences have affected my creativity and outlook on life. Each piece I create represents my pain and struggles, and through the colors and forms that I use, I hope to bring hope and resilience to others. My art serves as an invitation to connect with others who have gone through similar experiences.
Open Access
Ian Richling: capstone
(Colorado State University. Libraries, 2025) Richling, Ian, artist
The artist's statement: Our capitalist system views labor as a means of adding value during production. This makes it easy to assume that time or labor has inherent value, but this is false. Time can be wasted, misused, or unfruitful. But where does this leave labor within art? The time devoted to a work of art does not directly add to its value or aesthetic beauty, but it is not entirely disconnected from the work. Labor is an expression of passion, a devotion to the craft. I can't make time spent valuable, but I can make it meaningful. I seek artmaking that is tedious and repetitive, and for this, I usually turn towards interlocking paper by folding pages together. This construction process is meditative and contemplative. Every fold of the paper provides a moment to breathe, a moment to live. All of these moments in aggregate become something more. Through my breath, through my passion, through my labor, the work lives.
Open Access
Tabbitha Manuel: capstone
(Colorado State University. Libraries, 2025) Manuel, Tabbitha, artist
The artist's statement: Tabbitha Manuel is a senior art student with a concentration in drawing. Her work delves into the intersection of femininity, religion, sexuality, and human suffering. Growing up in a deeply religious household and attending Catholic school for seven years, Tabbitha often felt like an outsider due to her identity as a queer woman. Through her art, she embraces the parts of herself she was told to hide. Her recent pieces tackle challenging topics such as religious guilt, body image, and the fluidity of identity. Tabbitha's practice spans multiple media, including drawing, painting, and sculpture, all unified by using cool-toned color palettes and materials like recycled objects and scrap fabrics. Another side of Tabbitha's artwork lies in her career goals of tattooing, exploring traditional tattoo styles through acrylic ink paintings. Her skill lies in merging delicate, feminine imagery with raw, provocative themes to highlight the intersectionality of these issues and how they manifest in people's lives.
Open Access
Nick Partain: capstone
(Colorado State University. Libraries, 2024) Partain, Nick, artist
The artist's statement: This project is an exercise in speculative biology and worldbuilding. It draws from Nacelle, a project I’ve been working on for well over a decade, which focuses on a military conflict on an alien world called Traversed. The focus of the project so far has been on developing the ecosystem and geology of the planet. In the story, humanity encounters an advanced alien civilization exploring the galaxy, but before diplomatic relations can be established, the alien homeworld is invaded by human terrorists. The protagonists are tasked with weeding them out of the planet before they can cause damage to the biosphere, but first they must learn how to survive and navigate the planet’s diverse and dangerous environment. In these pieces, you will notice a typed journal entry for each work. These are from the perspective of a soldier named Roman Send, who was assigned as a bodyguard for a small research team sent to explore the planet’s inner crusts prior to the events of the main story. The drawings represent some of the earliest first-hand encounters between humans and the depicted wildlife, as documented by Send in his field journal. Much of the inspiration for this world was drawn from famous speculative biology projects like Avatar and Star Wars. Creating alien creatures was something that came relatively naturally to me compared to other subjects I’ve drawn, as I feel there is no need to adhere to the strict body structure of an existing animal or to try to represent surface textures perfectly accurately. In this area of technical drawing, I make all of the rules, and the only limit is the time I have to refine my ideas. I try not to limit myself when it comes to media, either, and my favorites include graphite, charcoal and ink. The ability to create anything and share it visually with others is one of my greatest assets, which I aim to hone to the highest level possible.
Open Access
Sommerset Wolnick: capstone
(Colorado State University. Libraries, 2024) Wolnick, Sommerset, artist
The artist's statement: Sympathy for a woman stops the moment she is tainted by the sexuality that is pushed upon her at a young age. The value of a woman lessens as she ages, and as she gains more power in her life, she loses worth to the world. As she dies, she will only be remembered as a bearer of children or a symbol of sensualism. There is ugliness in life as in death, and women are not granted the right to show any sign of wear. My work focuses on the ugliness of women, and celebrates the neutral state of a woman; not the extra steps that society uses to measure their own definition of half the population. I explore the nuanced experiences of women through a lens of empowerment and resilience. I strive to give my muses a narrative; questioning what we deem beautiful and worthy, both in art and in people. I aim to challenge traditional narratives and highlight the diversity amongst a variety of expressions of femininity. My illustrations serve as both a mirror and a window—reflecting the complexities of womanhood while inviting others to engage with and understand these experiences. My main mediums include pen, charcoal, and oil pastels. My work aims to embody some illustrative and childlike structures and emphasize the figure as a living breathing thing. My latest work is inspired by the recent challenges to the laws protecting reproductive rights, and I have channeled these feelings to pieces that question the motives of those who wish to control such a personal matter.
Open Access
Megan Bartholomew: capstone
(Colorado State University. Libraries, 2024) Bartholomew, Megan, artist
The artist's statement: My work centers around themes of environmentalism and escapism. The imagery I use highlights features of Mother Nature while also contrasting the inorganic forms of manmade structures. I use shadows in my work to bring up discussions of silent pollution and the fragility of nature in these conditions. Pollution has been a topic of worry for decades, with lists of environmental issues only growing. I have always held a feeling of uncertainty for the quality of our future, this emotional escapism also presents itself within the lack of clarity in my work. I often start by taking bokeh-style photographs of my surroundings including skyscapes, skylines and local foliage. I tend to focus on high-contrast forms and vibrant hues to show off the limitless palette of the outdoors. Using soft mediums to depict this imagery feels the most natural to me, as I can smear the pigment like mud or crumble it into sand. I enjoy illustrating on different kinds of fabric such as denim and wool felt, further softening the imagery and bringing life back into once 2D photographs. Reclaimed materials are also an important part of my work, reinforcing my commitment to sustainability and reminding my viewers to think about the impact of single-use materials.
Open Access
Lee Clarson: capstone
(Colorado State University. Libraries, 2024) Clarson, Lee, artist
The artist's statement: My work focuses on the reflection of inner turmoil and the investigations for feeling in the 21st century. In contrast to written or spoken language, art holds a conversation with feelings like no other genre. You can explain in detail and pull metaphors left and right, but the intricacies of our feelings remain inescapable and unexpressed. Expressing myself and investigating my emotions through my art process supplies me with a method to work them out and understand myself better. It’s all too easy to be swept into the cycling thoughts of your mind, the worries that go unchecked and plans resculpted again and again. Talking or writing these out go ineffectual; more words to describe thoughts and ideas only complicate them further. Thus, my work represents these ideas better, working in abstract imagery while having a dialogue with myself. An important element of my art is investigating undefinable feelings or experiences and processing these until they’re tangible ideas and concepts represented in my work. My recent work is based in textile explorations and assemblage, examining the meaning of home and the various feelings that come with that idea. I'm interested in repetitive processes, such as mending and breaking and mending again, and interested in the ways these interactions connect to my feelings about the space I take in the world, connections to other people or my community, and the idea of home as a foundation for identity formation. These feelings are realized through thread stretched over layers of fabric, pieces cut out and rearranged to be sewn back together, and shredded tears dividing them once more. My work features bright colors and playful overlap while featuring rips, tears, and painstaking stitches. As a result, there’s a tension created between these differing feelings, reminiscent of playfulness whilst remaining tangled in the past.
Open Access
Jose Romero: capstone
(Colorado State University. Libraries, 2024) Romero, Jose, artist
The artist's statement: My collection of drawings is representational of the essence of my humanity at the introspective and retrospective level. I am very interested in the world around me and I take a lot of inspiration from it as I explore who I am to the world. I am an appreciator, and my point of view in drawing is focused on depicting those things I appreciate from the world, and from nature itself. My practice is very involved spiritually, and I find myself being able to explore feelings, thoughts, and identity through abstract representations led by emotion as well as more representational depictions led by the need to connect with the community. Themes such as the visual soul, queer identity, and automatism are woven carefully into the works in different capacities. I am also very interested in making the works feel more alive through the use of installation, as the mix between 2D and 3D creates a really striking impression on the viewer. I also take a lot of liberty with color theory, and so I often find myself using vibrant color palettes experimentally, creating color relationships that feel more interesting to me.
Open Access
Callan Zink: capstone
(Colorado State University. Libraries, 2024) Zink, Callan, artist
The artist's statement: My work transforms introspection into image by way of intuitive mark making and emotionally driven color choice. By reflecting on memories, emotions, experiences, or simply trying to capture an idea, a sense of presence is developed. This process feels like a ritual at times, pairing music with materials to build an ongoing language of symbols and meaning that stretches across multiple works. The resulting compositions are both personal and idiosyncratic while remaining ambiguous. As a body of work this approach develops into a mythos or collection of concepts that is open to interpretation. In that sense, each drawing is akin to a spell, or moment in a larger narrative. That energy is captured by an alchemical approach to material use. By integrating dry and wet media, mixing colors from dirty containers, and letting textures develop on the page or by impulse, there is a conscious spontaneity. This feeling of electricity coincides with an active reflection on life events and personal questioning, the result is a work that often holds answers for me. My work grows alongside me and is a representation of my growth as a person. As I continue to create, I develop better methods to visualize and make sense of myself and the world around me.
Open Access
Nico Olivo: capstone
(Colorado State University. Libraries, 2023) Olivo, Nico, artist
The artist's statement: During my time here I have taken my time exploring the topic of love and intimacy in my practice through the lens of a queer man. I find it important to explore the topic of romance and relationships from a queer perspective due to the representation of queer love having been mostly from a cis, straight lens. This causes both the demonization and fetishization of the queer community and queer relationships. I have taken to exploring romantic love and all of the complex feelings that might arrive in different relationships. Love is so complex and unique that I find that capturing these ever evolving feelings to be an intuitive and introspective process is really just reaching out to be understood.
Open Access
Forest Squier: capstone
(Colorado State University. Libraries, 2023) Squier, Forest, artist
The artist's statement: Throughout this semester I have become more and more intrigued with empty space, letting the paper just be as it is. There is something fascinating about emptiness, seeing past an object and into a world of the unknown. It exists in contradictions, it is beautiful, absurd, and terrifying, and yet it doesn’t exist at all. My work is inspired by my environment. I chose to use natural subjects like pine cones or flowers because they are things that I have encountered myself. Everything here is something that I have collected or observed. When I go outside I do not know what I will stumble upon and what will serve as inspiration. Most of my practice is informed by botanical illustration. It is methodical and rational– its main purpose being to depict a form with scientific accuracy. For me, there is an aim to being true to form, but also a relaxed intention. I approach my work through the practice of botanical illustration, but then I think of how to break the rules. The goal of my work is not to be viewed as tools for science but for dialogue between what we do and do not know.
Open Access
Carlos Moreno Loachamin: capstone
(Colorado State University. Libraries, 2023) Loachamin, Carlos Moreno, artist
The artist's statement: The body of work I have made in my four years at CSU has been a ramping evolution in the exploration of contemporary American mental health struggles, the notion of the sublime, and the beauty in such raw emotions as shame, guilt, and exhaustion. This evolution has primarily taken place through material exploration. Beginning with pen and ink on paper my freshman year, I have ventured into different media as I've painted, sculpted, and animated pieces which grew imbued with flashes of self-flagellation, exhaustion, and the buckling weight that follows when one holds onto torturing ideals for an excruciating amount of time.
Open Access
Brian Pena Garcia: capstone
(Colorado State University. Libraries, 2023) Pena Garcia, Brian, artist
The artist's statement: As a Mexican immigrant I've had to witness and experience a lot of mistreatment while living in the U.S. Feeling the pressure of being the absolute perfect model citizen in a country that doesn't respect or care for my existence is exhausting. With no financial sustainability or support medically, I've seen my family and other immigrants struggling year after year. Even though Undocumented Immigrants pay Billions of dollars in taxes every year, we are still not accepted as citizens. For my project I would like to explore the feelings and sentiments I have felt through my life in growing up in the U.S. as a Mexican immigrant. Throughout my years of watching the political climate in constant fear, to my personal experience of racial discrimination, I want to create illustrations in ink that demonstrate the aspects of being an immigrant in the United States. Some examples of concepts I'd like to explore are the experiences in the work environment. Being underpaid, working more hours, and having no choice in where to work are a few points that describe the situation of work for undocumented immigrants. Another aspect is the ability to see family from their home country. Undocumented immigrants usually don't have the money to travel, and if they did it would be impossible to leave the U.S. because they would no longer be able to come back. This causes them to not be able to see their family. This is an experience I had to go through in my family and witness this pain in my parents. Pieces like "Thinking of Mexico" explore this feeling of diaspora that Mexican immigrants deal with when it comes to being in the United States. Only experience my birthplace through memories while experiencing the unjust systematic discrimination and oppression in the U.S.
Open Access
Erik Reynolds: capstone
(Colorado State University. Libraries, 2023) Reynolds, Erik, artist
The artist's statement: In general, my art is a visual expression of change in my world. These changes are often highlighted through the process I take to get from concept to completion. I do very little sketching or planning for my projects, instead that process part of the work and is integral to the final piece. This dynamic way of creating has led me to mostly work in series because a series allows me to explore how one idea can morph and change over time. I start with a conceptual phrase that I try to keep each piece aligned with. As that concept becomes more fleshed out, the image gets more and more refined. Most of the time, by the end of the process I have moved so far away from the original concept that the original concept has evolved into a different idea all together. However, this new idea contains the same roots as the previous image, and thus is contained in the same conceptual idea. It's a type of narrative; not a narrative for the viewer to be absorbed in, but one that allows the viewer to consider the different possibilities of a single event. The majority of my work is done with pen and ink, though it may be many different iterations of that tool. Technical pens, brush pens, calligraphy pens, dip pens, fountain pens, all are contenders for the different kinds of marks they are capable of making. In many ways my work relies on the exploration into these different marks and how they interact and support the other materials. The interplay between marks is where a lot of the change I search for is found, out of the rough and chaotic nature of a single mark blooms an endless number of collective ideas.
Open Access
Emily Pfanstiel: capstone
(Colorado State University. Libraries, 2023) Pfanstiel, Emily, artist
The artist's statement: I create illustrations based on altered realities. My latest series tackles a long-term experience in one's mental fog, due to grief. This concept was then split into bodies of work dissecting the recognition, recollection, and relinquishing of grief. I find great significance in the use of memories and their deterioration over time. Whether caused by physical displacement, a migration, or a grief of loss, I use these moments to visually demonstrate how individual realities are impacted by psychological pain. Often those in bereavement carry the collision of past and present to their experience of everyday life. This projection is where I feel most compelled to approach the corrosion of a memory. When we hold nostalgia for moments of time, this is often attached intrinsically to an item symbolic of those memories. With memory, my images contain personal references to objects of attachment, or the social life of objects. There are connections to our environments that continue to bring us fulfillment after they have served their purpose. My media works to demonstrate the context of erasure and disintegration. Alongside the medium, I work with fading a recollection of memory, adding graphite in layers as a rendering technique that disorients the viewer. I am drawn towards ink, watercolor, and graphite-based tools. Textures of paper and its application to the narrative play an important role, as my erasure techniques connect with ideas of loss or the absence of something important. Text is also used to quietly support this idea of the finite construct of time. Working with limited material keeps my process evolving deeper into experimentation. Some pieces are fused together as a storytelling element, with a variety of color palettes, materials, and textures to connect into a singular moment of expression. These media allow each composition to evoke the impression of events fading into the fog of memory, or the loss of a moment altogether.
Open Access
Ava Schuetter: capstone
(Colorado State University. Libraries, 2023) Schuetter, Ava, artist
The artist's statement: My name is Ava and as a multimedia artist my work allows me to navigate through what I struggle with. Between the materiality and process of creating each piece, I can confront what is troubling me and understand it better to continue growing as a person. I wouldn’t say this process allows me to fully overcome everything I face, but rather gives me the space to approach it in a comfortable, therapeutic way. Recently, I have explored themes of mental illness, gender, sexuality, and family. Currently, the work I am doing centers around my existence within domestic spaces. A commonality between all my work is material and sourcing materials second-hand is a large focus of my practice. I believe there is value in continuing the life cycle of objects that already exist, rather than buying something just to be used once. This largely stems from my fears for the future of the earth, but I draw some satisfaction from reimagining what something can be used for. For instance, using an old, gifted window to become an interactive wall installation about my experience being a woman. Or my most recent work, where I use scrap fabric from second-hand stores to applique an imagined view of my current bathroom. Both are very different materials used in a similar process to help me understand more about myself.
Open Access
Dorie Keck: capstone
(Colorado State University. Libraries, 2023) Keck, Dorie, artist
The artist's statement: I always feel at home with either a book or a pen in my hand. Actually, it is when stories and art are combined that I feel the most at home. Stories and art are like two sides of the same coin; both introspective and have massive potential for creativity but where stories have almost unlimited page space for exploration, art is limited to a single viewing plane. The drawback for stories is that within this limitless vat of vocabulary, the core of what is being told can be lost. This is why I believe stories and art function best in tandem, with the universe of possibility for exploration pared with the stagnant picture of a feeling. My drawings and illustrations are homages to the most treasured stories from my life; both those read in books and those that I have lived. I touch on what I feel is the essence of these stories as well as how my memory has shaped them since my initial experience. This ends up turning into a mix of rose-tinted idealisms and stoic reflections of the past which never feel correct until at least the second full iteration of the piece. A lot of my process is trial and error. Recently, every piece that I embark on gets fully finished before I realize that I want to go in an entirely different direction and start anew. However, I wouldn't have it any other way, as though this process I have learned more about the works themselves as well as myself as an artist than I ever would have if I got it right on the first try.
Open Access
Miles Buchan: capstone
(Colorado State University. Libraries, 2022) Buchan, Miles, artist
The artist's statement: My work serves as an exploration of my personal condition and experience with extreme light sensitivity and "legal blindness". Between the binary of the sighted and the blind exists a spectrum of perception, which drastically effects lived experiences. As an individual with Oculocutaneous Albinism 1, my sight varies and depends greatly upon my surrounding environment, particularly when it comes to light, movement, and scale. This has impacted my life beyond my own understanding, as it is all that I've known. As I learn more about myself and the world around me, I begin to question how deep these implications lie. I've addressed and confronted this reality in both scale and material to include paintings, sculptures, experimental drawings, and installations. For drawings and sculptures which exist three dimensionally, I am interested in exploring and manipulating the effects of light, physical space, and orientation to engage with viewers own senses. For two-dimensional work I focus on some of the same qualities through composition. Utilizing color, contrast, and pattern to create a sense of space which interacts with the viewers perception to create meaning. As a visual artist working and living with a visual disability my style, process, and finalized work are all informed by both preference and ability. Whether I'm creating something meant to be representationally naturalistic or fully abstract, I must work and negotiate with my eyes, sight, and senses throughout.
Open Access
Joshua Brown: capstone
(Colorado State University. Libraries, 2022) Brown, Joshua, artist
The artist's statement: Inspired by how a complex work's content is revealed through in-depth examination, I present my conceptual drawing through layers of meaning, hidden by subtle compositional and surface level details. Subjects convey a range of themes through these aspects of my work. One theme in my work is artistic struggle, represented by animals that best communicate the struggle focused on in a given work. For example, the presence of an elephant in the composition signals that the content is communicating a difficulty in drawing from memory. Other themes include the accurate and speculative portrayal of animals both living and extinct, and interactions between different animals and humans. Such ideas may take form as juxtapositions between scientifically accurate and older reconstructions of dinosaurs, or diptychs highlighting the shared toxicity of unrelated species. My conceptual drawing additionally pursues site specificity regarding rendering landscapes which hold personal or conceptual significance, and astronomical imagery. Most of the themes discussed here incorporate varying levels of storytelling into their presentation. My work explores and experiments with an alternating array of materials and techniques such as, colored pencil, pastels, ink, brush pens, oil paint, and paper cutting, layering, and texturing to maintain a diverse visual range. The use of these materials in any combination offers further opportunities for development and experimentation in my practice. They are also an integral part of my research process for making art, which employs the composition of brainstorm lists, exploring approaches to depicting a given theme, and producing thumbnail sketches, full-page sketches, and material studies. This process aids my visualization and understanding of an artwork’s plausible result before I apply the first mark.

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