Rolston, Holmes, 1932-, authorOxford University Press, publisher2007-01-032007-01-032014Rolston, Holmes, III, Landscape from the Eighteenth Century to the Present, Kelly, Michael, ed., Encyclopedia of Aesthetics, 2nd ed., vol. 3, 117-122. New York: Oxford University Press, 2014.http://hdl.handle.net/10217/89531Includes bibliographical references (pages 121-122).The term "landscape" refers to a territory that the eye can comprehend in a single view, also to a work of art that, usually, depicts a real-world landscape. Landscape blends nature and human response. A landscape requires selective viewing and a frame. Landscape art was much esteemed in the eighteenth century and later became less common. Since the rise of environmental concerns, interest in landscape aesthetics has vigorously returned, although not especially in landscape painting. Ronald Hepburn complained that twentieth century aesthetics had neglected natural beauty. Experience on landscapes is multi-sensory. Certain landscapes have an archetypal appeal. A provocative claim is that natural landscapes in and of themselves are always beautiful.born digitalchapters (layout features)eng©2014 Oxford University Press.Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.natureaesthetic experienceartlandscapepositive aesthetics20th century18th century19th centuryLandscape from the eighteenth century to the present (2014)Text