Lamberson, John Gregory, authorFurrh, Douglass Madison, advisorTaylor, Cynthia, committee memberVanden Heuvel, Brian, committee member2007-01-032007-01-032013http://hdl.handle.net/10217/79101In Moby-Dick and "The Encantadas," Herman Melville's narrators often assume the role of a naturalist, in the mode of natural history. Beginning with careful and realistic explication, Melville understands different animals in terms of their physical characteristics and behavior, in a manner influenced by Charles Darwin. After establishing an accurate picture, he proceeds to take the animals and transform them to concepts related to literary naturalism in a process of anthropomorphic symbolism. Melville's ambiguous stance on animal awareness and pain further clarifies his project of using animals to be representative of mostly human concepts. Moby-Dick and "The Encantadas" illustrate this chain with Melville's naturalistic treatment of whales and tortoises, respectively. With the precision of a scientist and the spirit of an artist, Melville uses animals as symbols of concepts that anticipate literary naturalism, most notably determinism. Melville's utilization of natural science as a means to symbolism made him a precursor to literary naturalism, which itself grew out of the influence of Darwinian ideas.born digitalmasters thesesengCopyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.literary naturalismDarwinencantadasMelvilleMoby-Dicknatural scienceHerman Melville's use of animals: the chain of natural science, anthropomorphic symbolism, and literary naturalism in Moby-Dick and "The Encantadas"Text