LaBarre, Sarah E., authorLundberg, Thomas, advisorHarrow, Del, committee memberKneller, Jane, committee memberRyan, Ajean, committee member2015-08-282015-08-282015http://hdl.handle.net/10217/167058In my thesis installation Acts of Emergence, impressions of memory and past experiences emerge from canvas through layers of stain and stitch. Each piece suggests a fragment of memory--real and imagined. Several dozen fragmented units represent a mapping of memory through space, as if each component manifests pieces of a moment in time, flowing across the wall. The format of this piece presents a kind of disjointed timeline that contains partial records of an experience. The work as a whole is scattered across and floating away from the wall, creating a fragmented composition made up of bits of densely stitched canvas. Viewed more closely, each fragment itself becomes a composition. Stains suggest the presence of memories left behind. Each piece in this panorama holds a moment; together the units present a kind of suspended place or moment in time. These fragments appear to travel across the wall, emerging from my memory and stained with references to a history, not unlike paintings made by the Mexica people of Pre-Hispanic Mexico, who conceived time and space as intrinsically linked. I draw much inspiration from the human body's capacity to convey many emotions. The dancing figures in my work are anonymous: each with their own identity, yet not seen as anyone in particular. They are frozen in specific moments, offering a view of that moment as well. Together, suspended figures plot multiple moments within this spreading map of memory.born digitalmasters thesesengCopyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.embroiderymachine embroiderymemoryfibersdancemappingText