Herring, Kristen D., authorVasby Anderson, Karrin, advisorGibson, Katie, committee memberAoki, Eric, committee memberPippen, John, committee member2023-01-212023-01-212022https://hdl.handle.net/10217/236007Electronic dance music (EDM) creates communities whose members negotiate and renegotiate the politics of public performances of identity. In this dissertation, I ask "How do EDM festivals function as temporary communities that rhetorically construct the performance of gender and sexuality?" I argue that EDM uses a rhetorical strategy I call disorientation. I detail the ways disorientation helps EDM festival attendees, known as "ravers" or "festies," inhabit liminal spaces and transgress the patriarchal, heteronormative, white supremacist, and capitalist expressions of gender and sexuality that are dominant in the outside world via rhetorics of the carnivalesque. I also develop an approach to rhetorical field methods I call Performative Participant Observation. I demonstrate Performative Participant Observation in this dissertation and argue that similar methods would be useful for scholars interested in studying ephemeral and public performances of gender and sexuality as well as performances of the carnival.born digitaldoctoral dissertationsengCopyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright.Text