Ontology of the ineffable, The
In this essay, Taoism and other philosophical references are juxtaposed with contemporary art historical figures to supplement Zach Miller's explanation of his own artwork. Themes explored include the relationships between language, creation, destruction, positivity, idealism, negativity, sense and manifestation. Miller argues that sense transcends the functionality of the linguistic notions of signification, especially in relation to translating ineffable qualities of experience. Conceptual influences are balanced by explanations of aesthetic processes involved in the creation of Miller's work ...
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