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School of Music, Theatre and Dance

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https://hdl.handle.net/10217/100477
These digital collections include theses, dissertations, faculty publications, student publications, data, programs and posters for performances, and student composition recitals from the School of Music, Theatre and Dance.

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Browsing School of Music, Theatre and Dance by Author "Bacon, Joel, committee member"

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    Colorado secondary ensemble teachers' perceptions of the integration of students with disabilities
    (Colorado State University. Libraries, 2023) Gray, Samuel David, author; Johnson, Erik, advisor; Bacon, Joel, committee member; Lopes, Tobin, committee member
    Inclusive practices are required of K-12 educators regarding the inclusion and integration of students with special needs through the Individuals with Disabilities Act (1975) and the Every Student Succeeds Act (2015). However, barriers to integrating students with disabilities may exist in secondary performing ensembles. These barriers include paraprofessional staffing, educator efficacy, community stakeholder expectations, and educator professional development. Implementing and understanding these barriers is vital to providing secondary music educators with the proper tools to provide an integrated performing ensemble. While the inclusion of students with disabilities often occurs in a performing ensemble, the scope of integration may vary depending on educator decisions. When an educator faces this situation, understanding any decisional difference is needed. The purpose of this study is to investigate Colorado music educators' perceptions regarding the current practices of inclusion and integration of students with disabilities in Colorado's secondary public schools (middle or high schools). Furthermore, this study examines educators' perceptions regarding inclusive practices where students with disabilities are included in ensemble settings. This study can help inform discussions, methods, and policies related to the professional development of in-service educators and pre-service educator preparatory programs regarding the integration and inclusion of students with disabilities. In this study, the following research questions were asked: What is the level of concern and self-efficacy of Colorado secondary music educators about integrating students with disabilities? What is the relationship between years of teaching experience, concerns, and self-efficacy about the inclusion and integration of students with disabilities? Do Colorado secondary music teachers vary in their level of concern and teaching efficacy at various stages of their career or by school location? The adapted SACIE-R and TSES questionnaire included the concerns subset of the Sentiments, Attitudes, and Concerns about Inclusive Education – Revised Scale (Forlin et al., 2011) and the Teacher Self-Efficacy Scale (Tschannen-Moran & Hoy, 2001). Both scales utilized a four-point Likert scale. Data was compiled from mid-November through early mid-December of 2022. Findings from this preliminary investigation indicate that as educator experience increases, the level of educator concern about integrating students with disabilities decreases. Additional findings suggest no statistical significance between educator district setting and the level of concern and efficacy about students with disabilities.
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    Examining student experiences of choice in reflective practice through the lens of self-efficacy
    (Colorado State University. Libraries, 2023) Falls, Kristen Breann, author; Johnson, Erik, advisor; Bacon, Joel, committee member; Decker, Derek, committee member
    Preservice music teachers starting their first course in a music education program often find themselves under the pressure felt by grades, an overload of new information, and teaching public school students for the first time. Music teacher educators combat the pressure not only by giving reassuring and positive feedback but also by introducing developmental tools to help teachers improve themselves. Scholars have shown that reflective practice is an effective tool for teacher development (Piety et al., 2010; Kennedy et al., 2013; Korthagen & Evelein, 2015, Prilop et al., 2019). There are also varying thoughts on how to best implement reflective practice for the most effective development process, including the framing of teacher self- efficacy and professional identity during preservice music education programs. Yet, there are many differences between how degree programs approach these aspects of teacher development (Lee, 2007; Stanley, 2022). This study continued the exploration of student experiences in reflective practice and how the choice of reflective modalities can increase student agency, and in effect, teacher self-efficacy. Quantitative data for teacher self-efficacy was collected using an adapted version of the Preservice Music Teacher Efficacy measure (Prichard, 2013). The findings of this preliminary study help to expand the knowledge of how preservice music teachers choose reflective practice modalities and how those choices impact their self-efficacy. Implications for this study are framed in both theoretical and practical realms.
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    Student perceptions of online peer learning in preservice music teacher education: motivation, social-emotional learning, and classroom climate
    (Colorado State University. Libraries, 2021) Herman, Christina Haarala, author; Johnson, Erik, advisor; Decker, Derek, committee member; Bacon, Joel, committee member
    Music instruction has historically depended upon a master-apprentice model in which teacher-determined goals serve as the focal point of the classroom and reduce opportunities for collaboration among peers (Allsup, 2003; Green, 2008; Wis, 2002). However, collaborative learning practices, such as peer-assisted learning (PAL), have been established as effective instructional methods in a variety of music learning contexts (e.g., Alexander & Dorow, 1983; Duran et al., 2020; Goodrich, 2007; Johnson, 2013). Recently, scholars have extended investigations of collaborative learning practices into the realm of online learning environments (Altinay, 2017; Biasutti, 2011; Raymond et al., 2016; Shawcross, 2019; Thorpe, 2002). Peer-assisted learning experiences have been identified as one of many successful strategies for meeting the diverse needs of students in online contexts (Altinay, 2017; Keppell et al., 2006; McLuckie & Topping, 2004; Raymond et al., 2016; Razak & See, 2010); however, there is a lack of scholarly literature surrounding online PAL in the context of preservice music teacher education Though online learning is not new in the realm of formal education, rapidly developing technologies have increased the impact and prevalence of online learning in many educational settings, including preservice music teacher education (Dumford & Miller, 2018; Statti & Villegas, 2020; Sandrone & Schneider, 2020). Specifically, growing health and safety concerns related to the spread of disease in a global pandemic have necessitated a shift in the delivery of instruction from face-to-face settings to online classroom environments. Given the increasing demand for flexible online learning solutions, music educators would benefit from context-specific knowledge about the interaction of PAL solutions with online music learning environments. Therefore, the aim of this study was to explore student perceptions of an online PAL experience in a preservice music teacher education course through the self-reported lenses of student motivation (Elliot, 1999), social-emotional learning (CASEL, 2003), and classroom climate (Dwyer et al., 2004; Moos, 1979). Quantitative data were collected via questionnaire measures (Coryn et al., 2009; Elliot & Muarayama, 2008; Kaufmann et al., 2016; Kaufmann & Vallade, 2020) and follow-up interviews were conducted with four participants who were selected using a maximum variation sampling approach (Jones et al., 2013; Raymond et al., 2016). Data revealed that student perspectives were likely influenced by their individual motivation orientation, capacity for social-emotional learning, and perception of the online classroom climate. Interview participants provided further context to these findings by sharing their individual experiences with group interactions, peer feedback, student connectedness, and course structure.